We had the chance on Saturday night to catch a performance of the Broadway revival of Boeing Boeing, the French (who knew?) farce about an architect who juggles three fiance who are flight attendants flying in and out of Paris. Based on a 1960's play (and film) the play is headlined by West Wing alum Bradley Whitford, but the night belongs to London stage maven Mark Rylance.
Rylance is hysterical as Robert Lambert, the best friend who arrives in Paris just as the architest's carefully planned liaison are falling apart because of the advent of a new Boeing superliner that makes the turnaround shorter and Bernard's life more com;icated. Completing the cast are four wonderful women including familiar faces Mary McCormack, Gina Gershon, Kathryn Hahn and Christine Baranski. The play consists of scene after scene dealing with the national stereotypes of the women and the sexual mores of the "swinging 60's." The cast does it with such energy and good humor that there is little concern for the potential to offend. Just good clean fun. With the performances of Rylance and McCormack they are nominees for tonight's Tony awards, as well as a slew of other nominees for direction and design and costuming.
One of my favorite theatre experiences of recent years, Tom Stoppard's "Rock N Roll" is also nominated for a number of Tony awards. I saw the London production from the summer of 2007 that was moved en masse to Broadway with Rufus Sewell, Brian Cox and Sinead Cusack. As the central character Jan, Sewell does a strong job following the story of Stoppard's central character from the Soviet invasion of 1968 through the Velvet Revolution and aftermath. The central question in the play revolves around whether politics (Vaclav Havel and Company) or culture (The Plastic People of the Universe) are more important forces struggling against the opression of the post-1968 stalinist state. (Please note...no where is there a discussion of Ronald Reagan or the US military build up of the 1980's.)
For those who aren't aware, Stoppard, the British playwright is actually Czech, whose family left after the communist coup of 1948. This is one of his most personal work. It is a thoroughly enjoyable play which also follows themes of friendship and betrayal, love and loss, and freedom and expression. He cleverly weaves in the music of the era including lots of selections from Pink Floyd. The unfortunate aspect of the play was the short run on Broadway, but the book is available through your favorite bookstore.
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